Drawing is remembering, a deposition, a perspective, one's vision of an object, an image that starts from bias and moves toward accessibility, redrawn and over-written,some parts corrected, others fetishized and still othersobliterated or buffed-out leaving only traces behind. The panel mounted drawings in this exhibition employ figures and motifs of cityscapes, gesturally evoking LosAngeles while avoiding iconic identity. This lack ofspecificity, while still familiar, allows the imagery to exist in a tense state between the particular and the general, a collective unconscious.