Tavares Strachan: Invisibles
6750 Santa Monica Blvd., Los Angeles, CA 90038
Friday, November 2 at 6:00 PM 8:00 PM
Ends Dec 22, 2018
Before the post-nation state of Google there were empires. Knowledge and borders were contested — the one with arms the other with books. For the British Empire, of which The Bahamas were a small part, those books came in two forms. One was religious the other secular, and where the Bible fought the battleground of the soul, the Encyclopedia Britannica made claim to the mind. Its many shelved volumes telegraphed to the world an investment in enlightenment and education — an imperialist’s interest in cultures and places other than their own. Compiled almost exclusively by white men from distant seats of academic learning and power, it presented a view of the world shaped by conquest. Here knowledge became both map and territory. Equally descriptive and prescriptive its entries outlined both a state of place and a state of mind. Tavares Strachan’s Encyclopedia of Invisibility is one person’s attempt to unravel the Borgesian web. Its fifteen thousand entries describe people, places, objects, concepts, artworks, and scientific phenomena that are hard to see and difficult to ascertain. Some of the topics of these entries are rare or intangible, existing only through their replication in literature or cultural references; some have been changed or altered beyond recognition. Much like the format of the Encyclopedia itself, they are rarely used as contemporary references–and yet in a similar way they also carry gravity and weight. Ralph Ellison reminded us that invisibility comes from a refusal to see. By pitting the invisible against the visible, the unseen against the seen, Strachan’s epistemic exploration re-defines the territory of the known. Like a sphinx, the Encyclopedia itself stands sentry to an interior world in which its contents have become an exploded diagram of what lays within. Pages lifted directly from the Encyclopedia line the antechamber before giving way to a series of assemblages, sculptures, and neons that literally give body to the book itself. Here fragments of knowledge are collaged together to create a dimensional map of post-colonial possibility. Just as his intervention for the 57th Carnegie International saw the names of those who have gone unacknowledged by history illuminated in neon in between those of the philanthropists and robber barons who first laid claim to the pediment, this series of so called Hidden Histories uses opposing narratives as bookends propping up volumes selected by the artist himself. Deeper within the space a neon wall text outlines the story of Robert Lawrence, the first African American to be trained as an astronaut. Behind it the pulsing neon outline of a body is visible, suspended in indeterminate space. Emerging from darkness each of these works carry with them the possibility of islands emerging from an invisible sea of knowledge. —Neville Wakefield