Cross/Reference is perhaps Jimi Gleason’s most ambitious body of work to date. Utilizing a rich vocabulary of materials and styles, Gleason has built up gossamer thin layers of iridescent paint to create a series of paintings that are engagingly enigmatic. They confirm an artist at the height of his talent, confidently exploring the power of nuance and understated expression. We are rewarded with lustrous paintings that are unexpectedly arresting, inspiring a sense of revelry - much like the kind one might experience gazing across a lake in a predawn moment, captivated by the growing light as it caresses and undulates across the water’s surface. And like the surface of a body of water, Gleason’s surfaces are quietly in motion, their iridescent paints subtly shifting in hue as light plays across them. In each of the canvases, sharp diagonals bifurcate the compositions, providing dramatic structural rifts to these ethereal surfaces. The effect is a hypnotic and prismatic visual structure, where light, color and form intersect in ever-changing play. In a number of the paintings, the artist has continued to employ silver nitrate to activate the surfaces, further catalyzing one’s sense of the surrounding space. Gleason is highly regarded amongst that next generation of southern California artists carrying the dialogue forward and using the work of art to explore the phenomenological properties of light and space. Born in Newport Beach, CA, Gleason received hi BA from UC Berkeley in 1985. He studied printmaking at the San Francisco Art Institute before relocating to New York City, where he worked as a photo assistant and technician. Returning to California, Gleason was employed in the studio of Ed Moses for five years. Combining the disparate technical and compositional skills developed during his exposure to printmaking, photography and mixed media painting, Gleason is now the subject of considerable curatorial and critical attention. Gleason’s work is exhibited in significant public institutions, including the Hammer Museum, the Long Beach Museum, the Seattle Art Museum, the Tucson Museum of Art and the Frederick R. Weisman Foundation. The artist’s paintings are actively collected by a growing number of major public and private collections around the world.