Working with steel and bronze, Kylie White’s recent sculptures offer systems for understanding innately felt, manifestly immeasurable forces of our universe. Centered around the twelve constellations that make up the Zodiac–perhaps our oldest visual system–the artist’s tripedal sculptures present as surveying tools, occult talismans, and the sculptural realization of ancient artistic signals. They are concerned with the immutability of humankind’s relationship to the cosmos, and humans as observers of distant celestial bodies that, in a sustained burst of egocentricity aimed squarely at the void, have become carriers of meaning for us on Earth.