Site-specific installation featuring a new body of works in ceramic, print, neon, and sound Using materials that reference Southern California's rich cultural landscape and visual vernacular—from car parts and motor oil to broken concrete and soil—Los Angeles–based noé olivas (b. 1987, San Diego, occupied Kumeyaay land) creates sculptures, prints, and performances that investigate the poetics of labor, specifically its relationship to leisure and liberation. Many of olivas’s sculptures are comprised of his own customized forms—hybrid assemblages in the Chicanx spirit of rasquachismo that question traditional divisions between the aesthetic and the utilitarian. Playing with and reshaping objects that speak to the circuit of labor between Southern California and the US-Mexico border, olivas explores his experience growing up in an immigrant working-class family, often incorporating elements from his personal archives into the found and utilitarian materials of his sculptures. Let’s Pray is a site-specific installation inspired by the forms and conceptual gestures of the toolshed, which olivas sees as a spiritual space of creation and community-building. The installation features a new body of works in ceramic, print, neon, and sound. Crafting its framework within the abolitionist philosophy and practices of Crenshaw Dairy Mart, a South Central and Inglewood art hub co-founded by olivas, the artist enacts a meditation on the power of collective care, craft, and healing through collaboration. Hammer Projects: noé olivas is organized by Vanessa Arizmendi, curatorial assistant.