Tanya Leighton is pleased to announce ‘TRIANGULATION’ by Alejandro Cesarco, an exhibition comprising of a selection of works that the artist has configured into a single installation. In the exhibition the term triangulation is primarily used to designate the geometrical figure formed by two beings and their perceptions of each other – be it two lovers or who we are and who we imagine ourselves to be – and the inevitable gaps that take place when perceiving the other. Triangulation in this sense also calls into play various tactics of keeping the space of desire open and active, most notably through discourse. Alejandro Cesarco (born in 1975 in Montevideo, Uruguay) lives and works in New York. Recent solo exhibitions include ‘Todo en negro, los ojos cerrados por el exceso del desastre’ at Teatro San Martín, Buenos Aires in 2021; ‘Alejandro Cesarco. A solo exhibition’ at Kunstinstituut Melly, Rotterdam, ‘Learning the Language’ at Jeu de Paume, Paris both in 2019. His work has been recently included in group exhibitions in Kunstverein für die Rheinlande und Westfalen, Düsseldorf; Astrup Fearnley Museet, Oslo; Kunsthalle Basel; Bonniers Konsthall, Stockholm, and Kunsthalle Wien. Cesarco’s work is held in public collections, both nationally and internationally, including The Art Institute of Chicago; CNAP, Paris; Guggenheim Museum, New York; Museum Moderner Kunst Stiftung Ludwig, Vienna; The Walker Art Center, Minneapolis; Museum of Modern Art (MoMA); and the Museo de Arte Latinoamericano de Buenos Aires, to name only a few.