Kameelah Janan Rasheed is a learner who engages with a range of processes—sprawling Xerox-based installations, large-scale diagrammatic prints, public art, publications, video, and practices based on chance—to explore the poetics, politics, and pleasures of the unfinished. Her exhibition at the Benton Museum of Art, Worshipping at the Altar of Certainty: 1985 is a site-specific installation that uses this wide-ranging method to challenge a centralized approach to knowledge by considering how we learn.