There is a widely held expectation that an artist working from a distinct, perhaps under-represented, subject position—a youngish Black man, for instance—will make art that reflects, even foregrounds, his own racial identity. Appreciating the power of expectation, as he does, Los Angeles artist Lenard Smith codes his work with great subtlety. Indeed, his artworks are sometimes so subtle on the subject of race that they effectively ask the question: Is the Black content we find in this art “implied,” that is to say, placed there intentionally, if quietly, by the artist? Or is it “inferred,” present largely as the result of our determination to find the thing we are seeking?