Gharem has deeply absorbed this notion of pause into his work both as an occasion to examine certain universal dichotomies, which lead us to choose our life’s paths, and more literally by using the digital symbol for pause–a pair of rectangles–as a visual metaphor for the Twin Towers. Although the media and platforms for his work clearly borrow from the mainstreams of modern art, the narratives and images are drawn from his everyday world, while many of his motifs–including geometric designs and floral arabesques–belong to the canon of Islamic art. These are powerful and provocative works that only gradually reveal their meanings.