Hoofprint, a group show of works in painting, photography, sculpture, and film, explores the meaning of presence through its afterimage, the trace. Emerging with the latency of a heavy heel, the pressure of a knee, a smudge, a wrapper, or a rind, traces are among the most unselfconscious and revealing forms of marks. Tied together through the Japanese concept of mono-no-aware—roughly, sensitivity to ephemera—these works, by artists Laura Letinsky, Shanna Waddell, Zach Trow, Theresa Sterner, and J. Makary, share an attunement to what is left behind.