Over the Influence is thrilled to present Patterns & Threads, an exhibition of new paintings by Los Angeles artist Brian Robertson. Emerging from a common fabric, anonymous figures materialize and recede into the intricate tapestry of their surroundings. Geometric fragments converge, melding seamlessly to assume a collective identity, adorned with both form and name. Some figures exude a sense of levity, others gravitas, while a select few seem to invite the viewer to discern and share in their emotional state. This new body of work is a departure marked by a shift in style, color, composition, scale, and technique—yet it is an evolution that remains anchored to enduring thematic undercurrents. At its core, Robertson’s oeuvre probes the intricacies of human identity, the extent of our agency in shaping our existence, and the perpetual quest for metamorphosis. The conceptual bedrock of pattern, constraint, and potentiality becomes paramount in this exploration. Having previously worked with textiles, Robertson becomes fascinated with the notion of transposing the intricate designs found in fabrics onto the canvas, solely through the medium of paint. The act of replicating pseudo-versions of the fabrics that envelop and articulate human identity in an alternative medium becomes a poignant metaphor for the complex and labyrinthine nature of the human mind. Beginning with an intuitive drawing devoid of external references, the artist sketches rudimentary, cartoonish figures and objects until an evocative expression, posture, or fusion of forms strikes a resonant chord. Subsequently, a meticulous deconstruction of the initial form unfolds, delving into the limitless permutations of geometry contained therein. Through an exhaustive yet purposeful process, a harmonious order emerges within each figure, and the process of constructing the painting can begin. The crux of this artistic pursuit lies in the challenge to perception—both that of the artist and the viewer. The artist confronts self-imposed challenges by redefining the parameters of materials and stylistic expression. Simultaneously, the viewer is invited to discern the authentic from the mimetic, navigating the intricate interplay of originality and replication. This body of work serves as a testament to the artist's continual quest for self-discovery and the creation of objects that, in turn, enlighten or intrigue the observer. ____ Over the Influence is thrilled to present Shadow Boxing, a group exhibition of abstract painters in Los Angeles. The British painter John Hoyland said that working against a blank canvas is like shadow boxing. He was an artist who not only grappled with that eternal question of where to begin but did so under the looming shadow of Abstract Expressionism and its deep-rooted connection to the New York School. A presence that continues to haunt and fuel those detractors of abstraction and painting who claim it to be nothing more than self-referential, masturbatory, and exhausted. This exhibition looks to explore and celebrate the strong and varied abstraction being made by these artists, their approaches to the blank canvas, and the vibrant center for new and reinvigorated abstract painting that Los Angeles has become. Be it the light, the weather, the people, renewal, and possibilities; something about this City appeals to, attracts, mirrors, the endless scope for the continued rebirth of Abstraction and its unique way of reflecting the World back to us.  Whether it be through the use of studies, action, staining, intuition, collage, layering, and erasure, be it geometric or lyrical, pre-planned or spontaneous; these artists find a way to stand up to the blank canvas, to the history of the genre, to come out punching and to reinvigorate and replenish it. And boy do these painters hit hard. Nick Aguayo | William Bradley | Jonni Cheatwood | Randy Colosky Sydney Croskery | Tomory Dodge | Zhivago Duncan Michael Harnish | Michael John Kelly | David Matthew King Dan Levenson | Spencer Lewis | Thai Mainhard | Gena Milanesi Image: Jonni Cheatwood, Two Flaps Short of a Short Stack, 2023