Exhibiting 12 iconic works on canvas, Nodjoumi’s body of work has addressed the relationship between politics and power since the 1960s. Revolutionary in both spirit and practice, Nodjoumi’s paintings have driven social and political discourse across continents for five decades. In 2020, The New York Times listed Nodjoumi’s artwork among the 25 most influential pieces of protest art since World War II, citing his ability to critique both Iranian and American politics through satirical, sinister scenes rendered in monumental oil paintings.