Franziska Goes makes abstractions that allude to the visually familiar while simultaneously defying overt legibility. She is sensitively informed by personal observations and encounters with her surroundings; in Polarity, physical and sensorial experiences of lush nature, pulsating cityscapes, and the realm of technology collide and coalesce, mediated and transmuted in her pictures through painterly impulses as orderly and referential as they are playful and intuitive.