Here Is Elsewhere Gallery at the Front is delighted to present “Future Possessive”, Beech’s first solo exhibition in Los Angeles. The title of the show speaks to a twisted scene of a techno-naturalist grammatological imaginary where machines of knowledge, a result of scientific, artistic, and mythological explorations, are enmeshed in, and routinized by capitalism. The exhibition features a new series of prints, drawings, and paintings on paper that begin from an interpretation of Ramon Llull’s Ars Magna, a holistic computational system developed in the 12th Century by the monk from Palma, Majorca, aiming to manifest the randomness of the cosmos. Llull’s Ars Magna was a serious game to play the infinite in the bounds of finitude. Significantly, these machines established the premise for computational algorithms today; systems that invisibly organize what seems to be natural and become persistent forces across time.