Anabel Juárez presents an installation of new ceramic and fused glass sculptures that pay homage to the labor of flower vendors who work everyday day selling bouquets on street corners across Los Angeles. The exhibition reflects on the ways in which both human and natural worlds are shaped by migration, adaptation, resilience, and survival. ____ Enveloping viewers with expansive solitude, the nine haunting landscapes in Quiet Days travel through a range of seasons, climates, and topographies. Sarah Lee’s moody scenes occur on one plane, presenting a whole story in a single image and evoking a sense of total completeness.