Lowell Ryan Projects is pleased to present Caitlin Carney’s first solo exhibition titled i would find you in any lifetime. Exploring the boundaries between representation and perception, this series of minimalist, color field paintings depict Carney’s study of the sky particularly at sunrise and sunset from her studio in Morongo Valley, CA. Informed by a ritualistic practice of observation, Carney’s works capture temporal movements of both light and emotion, longing and contentment. Having recently relocated her studio from Los Angeles to the Mojave Desert, the vastness of the sky and seasonal rhythms of the land have become a central focus of observation. With each painting Carney engages with a particular time of day—observing the white vapor her breath produces against the cold desert air as the first orange slivers of sunshine pierce the night sky or witnessing the light shifting to soft shades of blue as the sun sets behind the horizon line, her feet still feeling the warmth from the parched desert floor. A color palette emerges as a reflection of both the recorded visual image and the physicality of the experience. Carney pours swaths of color directly onto canvas in her outdoor studio—warm golds linger near pastel blues as they shift into pools of lavender and darken into deep magentas and Prussian blues. Each painting, cradled behind blond wood stretcher bars, is then wrapped in a translucent polymer scrim, producing a palpable sense of transience. The works in i would find you in any lifetime blur the line between the tangible and the ephemeral. Viewing these works from different angles and depths produces shifts in perception of color as well as changes in focus. While each piece marks a particular time and experience they are illusive in grasp, evoking a sensation of sentiment while avoiding the immutable. This series, created in homage to a loved one, captures a visual archive of the light during a particular period in Carney’s life, serving as both a documentation of the world around her and the emotion contained in that space. Caitlin Carney (b. 1994) is a California-based artist living and working in Los Angeles and Morongo Valley, CA. She received a Bachelor of Arts degree in Communication Studies from the University of San Diego in 2017 and a Master of Fine Arts degree from Otis College of Art and Design in 2022. She has exhibited her work in group exhibitions at galleries including The LODGE, Los Angeles, CA; Ki Smith Gallery, New York City, NY; and Soft Times Gallery, San Francisco, CA. This is Carney’s first exhibition with Lowell Ryan Projects. ____ “Men come and go, cities rise and fall, whole civilizations appear and disappear—the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break...I sometimes choose to think, no doubt perversely, that man is a dream, thought an illusion, and only rock is real. Rock and sun.” ― Edward Abbey, Desert Solitaire: A Season in the Wilderness Lowell Ryan Projects is pleased to present Rock and Sun, an exhibition featuring recent plein-air paintings by artist Rachel Rickert. Inspired by the permanence of rock and the ephemeral nature of human existence, Rickert expands the narratives of her practice by utilizing handmade paints, which she meticulously crafts from rocks and sediments collected directly from the landscapes she depicts. The paintings in Rock and Sun embody her evolving exploration of her subject matter by intensifying the connection between the artwork and its origin. This is Rickert’s second solo exhibition with the gallery. The works in this series are painted on-site in various locations throughout the Southwest region of the United States. Rickert’s approach begins with an intuitive observation of these environments. She instinctively gathers stones, appreciating their weight, texture, and natural hues, and imagining the unique colors they might yield. The rocks and sediments are then arduously ground by hand back at her studio, transforming them into pigments, before she returns to the site to capture a vision of the landscape that initially inspired her. The rugged, earthy tones of Santa Fe’s mesas, the serene, sweeping plains of Eagle Valley in Nevada, and the sprawling, sunlit vistas of California’s Mojave Desert become infused with their own unique, untamed beauty in the hand of Rickert’s painterly gestures. With the utilization of her own handmade pigments, a blurring between the painted image and the physicality of the terrain emerges. This process allows the illusion of representation to dissolve, transforming the artist into a conduit between nature and its depiction. Each painting, small in scale, becomes a memory—a provocation of emotion and awe—standing as a testament to the magnificence and fragility of the natural world. Rachel Rickert was born in 1990 in Bethesda, MD, and lives and works in Joshua Tree, CA. Rickert received her MFA from the New York Studio School in 2015, and her BFA from Washington University in St. Louis in 2012. She has exhibited with galleries including Lowell Ryan Projects, Los Angeles, CA; Danese/Corey, New York, NY; Vardan Gallery, Los Angeles, CA; Alice Gauvin Gallery, Portland, ME; Auxier Kline, New York, NY; Jill Newhouse Gallery, New York, NY; The Painting Center, New York, NY; and Capsule Shanghai, Shanghai, China. She has participated in residencies including ACI Artists, Writers and Scholars Residency, Corciano, Italy; Jentel Artist Residency, Banner, WY; and the Vermont Studio Center Residency, Johnson, VT. Her works are represented in public and private collections such as the Xiao Museum of Contemporary Art, Shandong, China, and the Boise City Department of Arts and History, Boise, ID. Rickert’s work has been reviewed and discussed in publications such as Two Coats of Paint, The Paris Review, Art Spiel, Canvas Rebel, The New Criterion, and Art Critical.