Victoria Shen’s work draws on second-wave feminism’s claim that “the personal is political.” By exposing and magnifying the raw, abrasive textures of intimate tools, she resists the contemporary commodification of personal data, transforming the domestic and bodily into instruments of sonic defiance. In dialogue with Fugue Zones, Shen’s work similarly challenges systems of control by weaponizing sound itself. Her harsh noise performance at the exhibition will exemplify this approach, turning the overlooked objects of daily life into volatile agents of resistance, cutting through the sensory and political terrains that both art and technology now occupy.