Tyler Park Presents is pleased to announce It’s Crossed My Mind, a group exhibition featuring the work of Andrea Chung, Henri Paul Broyard, Jessica Palermo, Pau S. Pescador, and Samantha Roth. The exhibition will be on view from November 22 – December 20, 2025, with a reception on Saturday, December 13, from 4–6pm. It’s Crossed My Mind brings together works that meditate on memory, its fragility, persistence, and the ways it shapes both personal and collective experience. Drawing from a selection of gallery artists and recent programming, the exhibition traces how recollection surfaces in material, gesture, history, and narrative form. Several artists approach memory through deeply personal lenses. Samantha Roth’s Memory Jogging unfolds as a tactile investigation of recall, where the drawing’s layered surfaces mirror the instability and uncanny edges of memory loss. Jessica Palermo’s painting depicts a figure encountering an orthopedic mold of her son’s teeth, suspending the moment between dream and waking, and capturing the disorientation of encountering an object charged with emotional history. Henri Paul Broyard’s painting of a retro 1990s television is pulled from the artist’s own childhood that transforms a familiar domestic object into a site of longing, nostalgia, and early self-formation. Other works engage memory through historical and social narratives. Such as Andrea Chung’s Made Whole sculpture, composed of cast paper-pulp hands modeled after midwives' hands, speaks to ancestral lineage, colonialism, and labor taken from stories passed down by her own grandmother, who was a midwife in Trinidad. Pau S. Pescador’s collages examine the lives of trans individuals employed in the civil service sector, illuminating stories and memories often overlooked, particularly at a moment when legal protections remain contested and precarious. Together, these works create a landscape of psychological and emotional depth, one in which memory is not a fixed archive but an active, shifting terrain. It’s Crossed My Mind offers introspective entry points that open just enough for viewers to step into, inviting them to consider how memory operates within their own lived experience.