In paintings and monoprints, at large scale and in intimate formats, Claire Tabouret depicts figures and landscapes in states of appearance and disappearance. While taking photographs, Davis attempts to record the spectrum of artifice occurring in the room. The photographs aim to show the moment of attempted conversion from “real self” to a component of a stylized narrative, as the actors alternate between self and artificial character, self-consciousness prevailing to differing degrees, depending on the actor.