Jennifer West makes her REDCAT debut with sensual, partly abstract, partly imagistic works that delve into how fiction weaves itself into our memories—and how our viewing experience has changed with the digital revolution. Her program’s centerpiece is Film Title Poem (2016, 67 min.)—“a psychic montage of my inner history of film”—for which West re-shot more than 500 existing movie title cards on 35mm film and manipulated the print with etched patterns, scratches and punctures before transferring it to HD.